{"id":5333,"date":"2025-11-28T23:59:26","date_gmt":"2025-11-28T22:59:26","guid":{"rendered":"https:\/\/iso3200.org\/blog\/?page_id=5333"},"modified":"2026-04-09T16:08:20","modified_gmt":"2026-04-09T15:08:20","slug":"minolta-sony-a-mount-lenses","status":"publish","type":"page","link":"https:\/\/iso3200.org\/blog\/references\/minolta-sony-a-mount-lenses\/","title":{"rendered":"Minolta\/Sony A mount lenses"},"content":{"rendered":"\n<p>The A mount was introduced by Minolta in 1985; it was the world&#8217;s first integrated autofocus system with interchangeable lenses. Minolta engineers moved the motor needed for moving lens elements from the lens itself to the camera body, reducing size and weight of lenses. It is a bayonet mount with three tabs, a focal flange distance of 44.5mm, and a throat diameter of 49.7mm, for 35mm film. Autofocusing technology is partially based on the development done by Leica &#8212; Minolta&#8217;s partner of the era &#8212; for their never-released Correfot camera. The mount uses a combination of electronic and mechanical connections &#8212; beside five or eight electronic connections, it uses a mechanical arm to control the aperture, and a screw-drive for focusing. Later revisions introduced electronically controlled focusing, with lenses featuring Super Sonic Motors (SSM). It supports 35mm film and digital sensors &#8212; both APS-C with industry-standard 1.5\u00d7 crop factor, and 35mm &#8220;full-frame&#8221;.<\/p>\n\n\n\n<p>The Minolta A mount system was branded as Maxxum in North America, \u03b1 (Alpha) in Japan and the rest of Asia. Later, the name Dynax was used in Europe and the rest of the world.<\/p>\n\n\n\n<p>In early 2003, Konica and Minolta merged to form Konica-Minolta, and in 2006, the camera business was sold to Sony and was renamed to \u03b1 (Alpha). Sony continued the development of the system until early 2022, when it finally discontinued all A-mount lenses.<\/p>\n\n\n\n<p>Except Minolta (1985\u2013\u200d2003), Konica-Minolta (2003\u2013\u200d2006) and Sony (2006\u2013\u200d2022), the A mount was also used by Agfa (1995), Carl Zeiss (2007\u2013\u200d2022) and Hasselblad (2012\u2013\u200d2015).<\/p>\n\n\n\n<p class=\"has-very-light-gray-to-cyan-bluish-gray-gradient-background has-background\">Jump to: <strong><a href=\"#minolta-af-lenses\">Minolta AF<\/a><\/strong>, <strong><a href=\"#konica-minolta-dt-lenses\">Konica-Minolta DT<\/a><\/strong>, <strong><a href=\"#sony-lenses\">Sony<\/a><\/strong>, <strong><a href=\"#carl-zeiss-za-lenses\">Carl Zeiss ZA<\/a><\/strong>, <strong><a href=\"#sony-and-carl-zeiss-dt-lenses\">Sony &amp; Carl Zeiss DT<\/a><\/strong> lenses; <strong><a href=\"#adapters\">Adapters<\/a><\/strong>, <a href=\"#terminology\"><strong>Terminology<\/strong><\/a>.<\/p>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"minolta-af-lenses\">Minolta AF lenses<\/h2>\n\n\n\n<p>Multiple generations, as well as multiple different naming schemes of Minolta AF lenses exists. First generation of A mount lenses are branded as Maxxum, with crossed double-x, and all later North American lenses use the same Maxxum branding, albeit spelled the standard way. RS lenses are optically identical, except their outer shells are Re-Styled &#8212; focus rings are no longer ribbed plastic, but use smoother rubber material, and the rest of bodies are deep grey, instead of shiny black. N lenses are different from their predecessors, without changing basic parameters. Some Minolta and all Konica Minolta branded lenses use yet another, finely ribbed style of focusing ring. Wording on the side of the lens also isn&#8217;t the same in the original, RS, N and later lenses.<\/p>\n\n\n\n<p>Xi lenses have motorized zooming and focusing, and use the same ring both for focusing and zooming, making them incompatible with older cameras. Newer cameras don&#8217;t support their zoom motors, leaving them permanently in non-powered mode. Xi and D lenses use eight electronic contacts, while all older lenses use only five.<\/p>\n\n\n\n<p>SSM lenses use an in-lens motor for focusing, making them incompatible with earlier cameras.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Minolta AF Fish-Eye <strong>16mm F2.8<\/strong> [RS] <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">fisheye lens<\/mark><\/li>\n\n\n\n<li>Konica Minolta AF <strong>17\u201335 F2.8\u20134<\/strong> D<\/li>\n\n\n\n<li>Minolta AF Zoom <strong>17\u201335 F3.5<\/strong> G<\/li>\n\n\n\n<li>Minolta AF <strong>20mm F2.8<\/strong> [RS]<\/li>\n\n\n\n<li>Minolta AF Zoom <strong>20\u201335 F3.5\u20134.5<\/strong><\/li>\n\n\n\n<li>Minolta AF <strong>24mm F2.8<\/strong> [RS]<\/li>\n\n\n\n<li>Minolta AF Zoom <strong>24\u201350 F4<\/strong> [RS]<\/li>\n\n\n\n<li>Minolta AF Zoom <strong>24\u201385 F3.5\u20134.5<\/strong> [RS]<\/li>\n\n\n\n<li>Minolta AF Zoom <strong>24\u2013105 F3.5\u20134.5<\/strong> D<\/li>\n\n\n\n<li>Minolta AF <strong>28mm F2<\/strong> [RS]<\/li>\n\n\n\n<li>Minolta AF <strong>28mm F2.8<\/strong> <a href=\"https:\/\/www.flickr.com\/photos\/elkarrde\/sets\/72157688196897013\/\">\ud83d\udd17<\/a><\/li>\n\n\n\n<li>Minolta AF Zoom <strong>28\u201370 F2.8<\/strong> G<\/li>\n\n\n\n<li>Konica Minolta AF <strong>28\u201375 F2.8<\/strong> D<\/li>\n\n\n\n<li>Minolta AF Zoom <strong>28\u201380mm F3.5\u20135.6<\/strong> [II]<\/li>\n\n\n\n<li>Minolta AF Zoom <strong>28\u201380mm F3.5\u20135.6<\/strong> D <a href=\"https:\/\/www.flickr.com\/photos\/elkarrde\/albums\/72177720308891416\">\ud83d\udd17<\/a><\/li>\n\n\n\n<li>Minolta AF Zoom <strong>28\u201380mm F4\u20135.6<\/strong><\/li>\n\n\n\n<li>Minolta AF Zoom xi <strong>28\u201380mm F4\u20135.6<\/strong> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">power-zoom lens<\/mark><\/li>\n\n\n\n<li>Minolta AF Zoom <strong>28\u201385mm F3.5\u20134.5<\/strong> [RS] <a href=\"https:\/\/www.flickr.com\/photos\/elkarrde\/sets\/72157688196897033\/\">\ud83d\udd17<\/a><\/li>\n\n\n\n<li>Minolta AF Zoom <strong>28\u2013100mm F3.5\u20135.6<\/strong> D<\/li>\n\n\n\n<li>Minolta AF Zoom <strong>28\u2013105mm F3.5\u20134.5<\/strong> [RS]<\/li>\n\n\n\n<li>Minolta AF Zoom xi <strong>28\u2013105mm F3.5\u20134.5<\/strong> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">power-zoom lens<\/mark><\/li>\n\n\n\n<li>Minolta AF Zoom <strong>28\u2013135mm F4\u20134.5<\/strong><\/li>\n\n\n\n<li>Minolta AF <strong>35mm F1.4<\/strong><\/li>\n\n\n\n<li>Minolta AF <strong>35mm F1.4<\/strong> G RS<\/li>\n\n\n\n<li>Minolta AF <strong>35mm F2<\/strong> [RS]<\/li>\n\n\n\n<li>Minolta AF Zoom <strong>35\u201370mm F4<\/strong> <a href=\"https:\/\/www.flickr.com\/photos\/elkarrde\/albums\/72157664255237395\">\ud83d\udd17<\/a><\/li>\n\n\n\n<li>Minolta AF Zoom <strong>35\u201370mm F3.5\u20134.5<\/strong> RS<\/li>\n\n\n\n<li>Minolta AF Zoom <strong>35\u201380mm F4\u20135.6<\/strong> [RS]<\/li>\n\n\n\n<li>Minolta AF Zoom <strong>35\u201380mm F4\u20135.6<\/strong> II<\/li>\n\n\n\n<li>Minolta AF Zoom <strong>35\u201380mm F4\u20135.6<\/strong> Power Zoom <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">power-zoom lens<\/mark><\/li>\n\n\n\n<li>Minolta AF Zoom <strong>35\u2013105mm F3.5\u20134.5<\/strong> [N] <a href=\"https:\/\/www.flickr.com\/photos\/elkarrde\/albums\/72157664987635448\">\ud83d\udd17<\/a><\/li>\n\n\n\n<li>Minolta AF Zoom xi <strong>35\u2013200mm F4.5\u20135.6<\/strong> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">power-zoom lens<\/mark><\/li>\n\n\n\n<li>Minolta AF <strong>50mm F1.4<\/strong> [RS]<\/li>\n\n\n\n<li>Minolta AF <strong>50mm F1.7<\/strong> [RS] <a href=\"https:\/\/www.flickr.com\/photos\/elkarrde\/albums\/72157683283402624\">\ud83d\udd17<\/a><\/li>\n\n\n\n<li>Minolta AF <strong>50mm F2.8<\/strong> Macro [RS]<em> <\/em><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">macro lens<\/mark><\/li>\n\n\n\n<li>Minolta AF <strong>50mm F2.8<\/strong> Macro D<em> <\/em><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">macro lens<\/mark><\/li>\n\n\n\n<li>Minolta AF <strong>50mm F3.5<\/strong> Macro <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">macro lens<\/mark><\/li>\n\n\n\n<li>Minolta AF Zoom <strong>70\u2013200mm F2.8<\/strong> G APO D SSM<\/li>\n\n\n\n<li>Minolta AF Zoom <strong>70\u2013210mm F3.5\u20134.5<\/strong> RS<\/li>\n\n\n\n<li>Minolta AF Zoom <strong>70\u2013210mm F4<\/strong> <a href=\"https:\/\/www.flickr.com\/photos\/elkarrde\/albums\/72177720329902061\">\ud83d\udd17<\/a><\/li>\n\n\n\n<li>Minolta AF Zoom <strong>70\u2013210mm F4.5\u20135.6<\/strong> [II]<\/li>\n\n\n\n<li>Minolta AF Zoom <strong>75\u2013300mm F4.5\u20135.6<\/strong><\/li>\n\n\n\n<li>Minolta AF Zoom <strong>75\u2013300mm F4.5\u20135.6<\/strong> N [II]<\/li>\n\n\n\n<li>Minolta AF Zoom <strong>75\u2013300mm F4.5\u20135.6<\/strong> D<\/li>\n\n\n\n<li>Minolta AF Zoom <strong>80\u2013200mm F2.8<\/strong> APO<\/li>\n\n\n\n<li>Minolta AF Zoom <strong>80\u2013200mm F2.8<\/strong> G APO HS<\/li>\n\n\n\n<li>Minolta AF Zoom <strong>80\u2013200mm F4.5\u20135.6<\/strong><\/li>\n\n\n\n<li>Minolta AF Zoom xi <strong>80\u2013200mm F4.5\u20135.6<\/strong> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">power-zoom lens<\/mark><\/li>\n\n\n\n<li>Minolta AF <strong>85mm F1.4<\/strong><\/li>\n\n\n\n<li>Minolta AF <strong>85mm F1.4<\/strong> G RS<\/li>\n\n\n\n<li>Minolta AF <strong>85mm F1.4<\/strong> G D<\/li>\n\n\n\n<li>Minolta AF <strong>85mm F1.4<\/strong> G D Limited<\/li>\n\n\n\n<li>Minolta AF <strong>100mm F2<\/strong><\/li>\n\n\n\n<li>Minolta AF <strong>100mm F2.8<\/strong> Soft N <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">soft-focus lens<\/mark><\/li>\n\n\n\n<li>Minolta AF <strong>100mm F2.8<\/strong> Macro [RS] <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">macro lens<\/mark><\/li>\n\n\n\n<li>Minolta AF <strong>100mm F2.8<\/strong> Macro D<em> <\/em><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">macro lens<\/mark><\/li>\n\n\n\n<li>Minolta AF Zoom <strong>100\u2013200mm F4.5<\/strong><\/li>\n\n\n\n<li>Minolta AF Zoom <strong>100\u2013300mm F4.5\u20135.6<\/strong> <a href=\"https:\/\/www.flickr.com\/photos\/elkarrde\/albums\/72157683283402634\">\ud83d\udd17<\/a><\/li>\n\n\n\n<li>Minolta AF Zoom xi <strong>100\u2013300mm F4.5\u20135.6<\/strong> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">power-zoom lens<\/mark><\/li>\n\n\n\n<li>Minolta AF Zoom <strong>100\u2013300mm F4.5\u20135.6<\/strong> APO [D]<\/li>\n\n\n\n<li>Minolta AF Zoom <strong>100\u2013400mm F4.5\u20136.7<\/strong> APO<\/li>\n\n\n\n<li>Minolta AF <strong>135mm F2.8<\/strong><\/li>\n\n\n\n<li>Minolta AF <strong>135mm F2.8 T4.5<\/strong> STF<\/li>\n\n\n\n<li>Minolta AF <strong>200mm F2.8<\/strong> APO<\/li>\n\n\n\n<li>Minolta AF <strong>200mm F2.8<\/strong> G APO Macro <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">macro lens<\/mark><\/li>\n\n\n\n<li>Minolta AF <strong>200mm F2.8<\/strong> G APO HS<\/li>\n\n\n\n<li>Minolta AF <strong>300mm F2.8<\/strong> APO<\/li>\n\n\n\n<li>Minolta AF <strong>300mm F2.8<\/strong> G APO HS<\/li>\n\n\n\n<li>Minolta AF <strong>300mm F2.8<\/strong> G APO HS SSM<\/li>\n\n\n\n<li>Minolta AF <strong>300mm F4<\/strong> G APO HS<\/li>\n\n\n\n<li>Minolta AF <strong>400mm F4.5<\/strong> G APO HS<\/li>\n\n\n\n<li>Minolta AF Reflex <strong>500mm F8<\/strong> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">catadioptric lens<\/mark>, <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">fixed aperture<\/mark><\/li>\n\n\n\n<li>Minolta AF <strong>600mm F4<\/strong> APO<\/li>\n\n\n\n<li>Minolta AF <strong>600mm F4<\/strong> G APO HS<\/li>\n\n\n\n<li>Minolta AF <strong>3x\u20131x\/1.7\u20132.8<\/strong> Macro <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">1\u00d7\u2013\u200d3\u00d7 macro lens<\/mark><\/li>\n<\/ul>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading\" id=\"konica-minolta-dt-lenses\">Konica Minolta DT lenses<\/h2>\n\n\n\n<p>DT lenses are designed for APS-C sensors with crop factor of 1.5\u00d7.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Konica Minolta AF DT <strong>11\u201318mm F4.5\u20135.6<\/strong> D <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">~17\u2013\u200d28mm-equivalent<\/mark><\/li>\n\n\n\n<li>Konica Minolta AF DT <strong>18\u201370mm F3.5\u20135.6<\/strong> D <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">~28\u2013\u200d105mm-equivalent<\/mark><\/li>\n\n\n\n<li>Konica Minolta AF DT <strong>18\u2013200mm F3.5\u20136.3<\/strong> D <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">~28\u2013\u200d300mm-equivalent<\/mark><\/li>\n<\/ul>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading\" id=\"sony-lenses\">Sony lenses<\/h2>\n\n\n\n<p>Sony A mount lenses are mostly directly rebranded last generation Konica-Minolta lenses, with just a few exceptions. With SAM lenses, Sony introduced another set of lenses with in-lens focus motors &#8212; Smooth Autofocus Motor.<\/p>\n\n\n\n<p>The dagger symbol indicates lenses that were designed by Konica-Minolta, and recived updated styling and branding; optically they are identical as their original releases.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Sony Fish-Eye <strong>16mm F2.8<\/strong> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">\u2020<\/mark> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">fisheye lens<\/mark><\/li>\n\n\n\n<li>Sony <strong>20mm F2.8<\/strong> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">\u2020<\/mark><\/li>\n\n\n\n<li>Sony <strong>24\u2013105mm F3.5\u20134.5<\/strong><\/li>\n\n\n\n<li>Sony <strong>28mm F2.8<\/strong> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">\u2020<\/mark><\/li>\n\n\n\n<li>Sony <strong>28\u201375mm F2.8<\/strong> SAM<\/li>\n\n\n\n<li>Sony <strong>35mm F1.4<\/strong> G<\/li>\n\n\n\n<li>Sony <strong>50mm F1.4<\/strong> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">\u2020<\/mark><\/li>\n\n\n\n<li>Sony <strong>50mm F2.8<\/strong> Macro <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">\u2020<\/mark> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">macro lens<\/mark><\/li>\n\n\n\n<li>Sony <strong>70\u2013200mm F2.8<\/strong> G SSM [II]<\/li>\n\n\n\n<li>Sony <strong>70\u2013300mm F4.5\u20135.6<\/strong> G SSM [II]<\/li>\n\n\n\n<li>Sony <strong>70\u2013400mm F4\u20135.6<\/strong> G SSM [II]<\/li>\n\n\n\n<li>Sony <strong>75\u2013300mm F4.5\u20135.6<\/strong> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">\u2020<\/mark><\/li>\n\n\n\n<li>Sony <strong>85mm F2.8<\/strong> SAM<\/li>\n\n\n\n<li>Sony <strong>100mm F2.8<\/strong> Macro <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">\u2020<\/mark> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">macro lens<\/mark><\/li>\n\n\n\n<li>Sony <strong>135mm F2.8 T4.5<\/strong> STF <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">\u2020<\/mark><\/li>\n\n\n\n<li>Sony <strong>300mm F2.8<\/strong> G SSM<\/li>\n\n\n\n<li>Sony <strong>500mm F4<\/strong> G SSM<\/li>\n\n\n\n<li>Sony Reflex <strong>500mm F8<\/strong> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">\u2020<\/mark> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">catadioptric lens<\/mark>, <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">fixed aperture<\/mark><\/li>\n<\/ul>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading\" id=\"carl-zeiss-za-lenses\">Carl Zeiss ZA lenses<\/h2>\n\n\n\n<p>Carl Zeiss ZA lenses are A mount lenses built with a premium look &amp; feel &#8212; they have metal housing with blue Zeiss badging and Carl Zeiss naming scheme. They are built by Sony to a Carl Zeiss quality standards.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Carl Zeiss Vario-Sonnar <strong>16\u201335mm F2.8<\/strong> ZA SSM <span class=\"has-inline-color has-vivid-red-color\">T\u2217<\/span> [II]<\/li>\n\n\n\n<li>Carl Zeiss Distagon <strong>24mm F2<\/strong> ZA SSM <span class=\"has-inline-color has-vivid-red-color\">T\u2217<\/span><\/li>\n\n\n\n<li>Carl Zeiss Vario-Sonnar <strong>24\u201370mm F2.8<\/strong> ZA SSM <span class=\"has-inline-color has-vivid-red-color\">T\u2217<\/span> [II]<\/li>\n\n\n\n<li>Carl Zeiss Planar <strong>50mm F1.4<\/strong> ZA SSM <span class=\"has-inline-color has-vivid-red-color\">T\u2217<\/span><\/li>\n\n\n\n<li>Carl Zeiss Planar <strong>85mm F1.4<\/strong> ZA SSM <span class=\"has-inline-color has-vivid-red-color\">T\u2217<\/span><\/li>\n\n\n\n<li>Carl Zeiss Sonnar <strong>135mm F1.8<\/strong> ZA <span class=\"has-inline-color has-vivid-red-color\">T\u2217<\/span><\/li>\n<\/ul>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading\" id=\"sony-and-carl-zeiss-dt-lenses\">Sony &amp; Carl Zeiss DT lenses<\/h2>\n\n\n\n<p>DT lenses are designed for APS-C sensors with crop factor of 1.5\u00d7.<\/p>\n\n\n\n<p>The dagger symbol indicates lenses that were designed by Konica-Minolta, and recived updated styling and branding; optically they are identical as their original releases.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Sony DT <strong>11\u201318mm F4.5\u20135.6<\/strong> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">\u2020<\/mark> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">~17\u2013\u200d28mm-equivalent<\/mark><\/li>\n\n\n\n<li>Sony DT <strong>16\u201350mm F2.8<\/strong> SSM <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">~24\u2013\u200d75mm-equivalent<\/mark><\/li>\n\n\n\n<li>Carl Zeiss Vario-Sonnar DT<strong> 16\u201380mm F3.5\u20134.5<\/strong> ZA <span class=\"has-inline-color has-vivid-red-color\">T\u2217<\/span> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">~24\u2013\u200d120mm-equivalent<\/mark><\/li>\n\n\n\n<li>Sony DT <strong>16\u2013105mm F3.5\u20135.6<\/strong> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">~24\u2013\u200d160mm-equivalent<\/mark><\/li>\n\n\n\n<li>Sony DT <strong>18\u201355mm F3.5\u20135.6<\/strong> SAM [II] <a href=\"https:\/\/www.flickr.com\/photos\/elkarrde\/albums\/72157716708591003\">\ud83d\udd17<\/a> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">~28\u2013\u200d85mm-equivalent<\/mark><\/li>\n\n\n\n<li>Sony DT <strong>18\u201370mm F3.5\u20135.6<\/strong> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">\u2020<\/mark> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">~28\u2013\u200d105mm-equivalent<\/mark><\/li>\n\n\n\n<li>Sony DT <strong>18\u2013135mm F3.5\u20135.6<\/strong> SAM <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">28\u2013\u200d200mm-equivalent<\/mark><\/li>\n\n\n\n<li>Sony DT <strong>18\u2013200mm F3.5\u20136.3<\/strong> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">\u2020<\/mark> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">28\u2013\u200d300mm-equivalent<\/mark><\/li>\n\n\n\n<li>Sony DT <strong>18\u2013250mm F3.5\u20136.3<\/strong><em> <\/em><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">28\u2013\u200d375mm-equivalent<\/mark><\/li>\n\n\n\n<li>Sony DT <strong>30mm F2.8<\/strong> Macro SAM <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">45mm-equivalent<\/mark>, <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-purple-color\">macro lens<\/mark><\/mark><\/li>\n\n\n\n<li>Sony DT <strong>35mm F1.8<\/strong> SAM <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">~50mm-equivalent<\/mark><\/li>\n\n\n\n<li>Sony DT <strong>50mm F1.8<\/strong> SAM <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">~75mm-equivalent<\/mark><\/li>\n\n\n\n<li>Sony DT <strong>55\u2013200mm F4\u20135.6<\/strong> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">~85\u2013\u200d300mm-equivalent<\/mark><\/li>\n\n\n\n<li>Sony DT <strong>55\u2013200mm F4\u20135.6<\/strong> SAM <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">~85\u2013\u200d300mm-equivalent<\/mark><\/li>\n\n\n\n<li>Sony DT <strong>55\u2013300mm F4.5\u20135.6<\/strong> SAM <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">~85\u2013\u200d450mm-equivalent<\/mark><\/li>\n<\/ul>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"adapters\">Adapters<\/h2>\n\n\n\n<p>With the introduction of the V mount for APS film, Minolta released an adapter MC-V1 for using A mount lenses on V mount cameras; adapter had a manual aperture ring.<\/p>\n\n\n\n<p>Similarly, since introducing a mirrorless E-mount, Sony released multiple adapters for using A mount lenses on E mount cameras. Since the E mount was initially APS-C only, first versions of the adapter supported only APS-C sensors, and trigger APS-C crop mode on FF cameras. Some adapters have an SLT AF subsystem inside, providing a fast AF with all lenses regardless of the body, at a cost of some light loss due to a translucent mirror, and increades size and weight of the adapter. The latest adapter, LA-EA5 removes the SLT subsystem and uses in-camera PDAF system with all lenses, and includes a redesigned screw-drive AF motor, but its compatibility is limited only to some cameras. With incompatible cameras, it behaves like LA-EA3 adapter. <\/p>\n\n\n\n<figure class=\"wp-block-table alignwide is-style-stripes\"><table class=\"has-fixed-layout\"><thead><tr><th>Adapter<\/th><th class=\"has-text-align-center\" data-align=\"center\">Sensor size<\/th><th class=\"has-text-align-center\" data-align=\"center\">AF method<\/th><th class=\"has-text-align-center\" data-align=\"center\">Non-SSM\/SAM support<\/th><th class=\"has-text-align-center\" data-align=\"center\">Release year<\/th><\/tr><\/thead><tbody><tr><td>LA-EA1<\/td><td class=\"has-text-align-center\" data-align=\"center\">APS-C<\/td><td class=\"has-text-align-center\" data-align=\"center\">CDAF<\/td><td class=\"has-text-align-center\" data-align=\"center\">\u274c<\/td><td class=\"has-text-align-center\" data-align=\"center\">2010<\/td><\/tr><tr><td>LA-EA2<\/td><td class=\"has-text-align-center\" data-align=\"center\">APS-C<\/td><td class=\"has-text-align-center\" data-align=\"center\">SLT<\/td><td class=\"has-text-align-center\" data-align=\"center\">\u2705<\/td><td class=\"has-text-align-center\" data-align=\"center\">2011<\/td><\/tr><tr><td>LA-EA3<\/td><td class=\"has-text-align-center\" data-align=\"center\">35mm full frame<\/td><td class=\"has-text-align-center\" data-align=\"center\">CDAF<\/td><td class=\"has-text-align-center\" data-align=\"center\">\u274c<\/td><td class=\"has-text-align-center\" data-align=\"center\">2013<\/td><\/tr><tr><td>LA-EA4<\/td><td class=\"has-text-align-center\" data-align=\"center\">35mm full frame<\/td><td class=\"has-text-align-center\" data-align=\"center\">SLT<\/td><td class=\"has-text-align-center\" data-align=\"center\">\u2705<\/td><td class=\"has-text-align-center\" data-align=\"center\">2013<\/td><\/tr><tr><td>LA-EA5<\/td><td class=\"has-text-align-center\" data-align=\"center\">35mm full frame<\/td><td class=\"has-text-align-center\" data-align=\"center\">PDAF<\/td><td class=\"has-text-align-center\" data-align=\"center\">\u2705<\/td><td class=\"has-text-align-center\" data-align=\"center\">2020<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Minolta Xi and PZ lenses are not compatible with A-mount adapters, and AF Macro Zoom 3\u00d7-1\u00d7 lens works in manual focus mode with LA-EA1 and LA-EA3 adapters. MonsterAdapter sells upgrade kit for LA-EA4 adapter that upgrades the electronics, removes the SLT subsystem and makes the LA-EA4 adapter behave like the more expensive LA-EA5.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"terminology\">Terminology<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>APO &#8212; APOchromatic design;<\/li>\n\n\n\n<li>D &#8212; a lens that reports subject-to-camera Distance info to the camera;<\/li>\n\n\n\n<li>DT &#8212; Digital Technology, a designation for lenses designed for APS-C sensors;<\/li>\n\n\n\n<li>G &#8212; Gold, high-end lenses.<\/li>\n\n\n\n<li>HS &#8212; High Speed autofocus;<\/li>\n\n\n\n<li>SAM &#8212; a lens that uses Smooth Autofocus Motor for focusing;<\/li>\n\n\n\n<li>SSM &#8212; a lens that uses Super Sonic wave Motor for focusing;<\/li>\n\n\n\n<li>STF &#8212; Smooth Trans Focus;<\/li>\n\n\n\n<li>ZA &#8212; Carl Zeiss designation for A-mount lenses;<\/li>\n<\/ul>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"references\">References<\/h2>\n\n\n\n<div class=\"wp-block-greenshift-blocks-toggler gs-contenttoggler gspb_toggle-id-gsbp-9ce9cfc\" data-height=\"5rem\"><div class=\"gs-toggler-wrapper\" id=\"gs-togglergsbp-9ce9cfc\" style=\"height:5rem\">\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Minolta_A-mount_system\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Minolta A-mount system<\/a> on Wikipedia<\/li>\n\n\n\n<li><a href=\"https:\/\/camera-wiki.org\/wiki\/Minolta_AF_mount\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Minolta AF mount<\/a> on Camera-Wiki<\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Sony_%CE%B1\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Sony \u03b1<\/a> on Wikipedia<\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/List_of_Minolta_A-mount_lenses\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">List of Minolta A-mount lenses<\/a> on Wikipedia<\/li>\n\n\n\n<li><a href=\"https:\/\/www.mhohner.de\/sony-minolta\/lenses.php?ov=1\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Minolta\/Konica Minolta\/Sony Alpha lens data<\/a> by Michael Hohner<\/li>\n\n\n\n<li><a href=\"https:\/\/www.dyxum.com\/dforum\/topic24857.html\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Dyxum Lens Database<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.outsidetheshot.com\/minolta-sony-a-mount-lenses\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">A Guide to Minolta and Sony A-mount Lenses<\/a> by Nathaniel Stephan<\/li>\n\n\n\n<li><a href=\"https:\/\/www.sony.com\/electronics\/support\/articles\/00021281\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">What are the differences between the LA-EA1, LA-EA2, LA-EA3, LA-EA4, LA-EA5 lens mount adapters?<\/a> on Sony Global<\/li>\n\n\n\n<li><a href=\"https:\/\/www.sony.co.uk\/electronics\/support\/articles\/00021281\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">What are the differences between the LA-EA1, LA-EA2, LA-EA3, LA-EA4, and LA-EA5 camera lens mount adaptors?<\/a> on Sony UK<\/li>\n\n\n\n<li><a href=\"https:\/\/www.monsteradapter.com\/products\/la-ea4r-the-la-ea4-upgrade-kit\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">LA-EA4r &#8211; Minolta\/Sony A-mount LA-EA4 adapter Upgrade kit (FW v10)<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.dyxum.com\/dforum\/minolta-vectis-v-sony-e-monster-adapter-review_topic116836.html\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Minolta Vectis V &#8211; Sony E &#8220;MONSTER Adapter&#8221; Review<\/a> on Dyxum<\/li>\n<\/ul>\n<span class=\"gs-tgl-trigger\" style=\"text-align:center;position:absolute;z-index:2;bottom:0;left:0;width:100%;color:\"><span class=\"gs-tgl-show\" tabindex=\"0\" role=\"button\" aria-label=\"Show more\" aria-controls=\"gs-togglergsbp-9ce9cfc\" style=\"display:block\">Show more +<\/span><span class=\"gs-tgl-hide\" tabindex=\"0\" role=\"button\" aria-label=\"Show less\" aria-controls=\"gs-togglergsbp-9ce9cfc\" style=\"display:none\">Show less &#8211;<\/span><\/span><span class=\"gs-tgl-grad\" style=\"background-image:linear-gradient(to bottom,rgba(255,255,255,0) 0,#ffffff 100%);display:block;position:absolute;height:100px;bottom:0;left:0;z-index:1;width:100%\"><\/span><\/div><\/div>\n\n\n\n<div style=\"height:45px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\"\/>\n\n\n\n<p><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-light-green-cyan-color\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-green-cyan-color\">Last update: 28. 11. 2025.<\/mark><\/mark><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The A mount was introduced by Minolta in 1985; it was the world&#8217;s first integrated autofocus system with interchangeable lenses. Minolta engineers moved the motor needed for moving lens elements from the lens itself to the camera body, reducing size and weight of lenses. It &hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":82,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_gspb_post_css":".gs-toggler-open{height:auto!important}.gs-toggler-open .gs-tgl-grad,.gs-toggler-open .gs-tgl-show{display:none!important}.gs-toggler-open .gs-tgl-hide{display:block!important}.gs-tgl-hide,.gs-tgl-show{cursor:pointer}.gs-contenttoggler *{box-sizing:border-box!important}.gs-toggler-wrapper{overflow:hidden;transition:all .5s ease;padding-bottom:35px;margin-bottom:30px;box-sizing:content-box!important;position:relative}.gs-toggler-wrapper p:last-of-type{margin-bottom:0}.gspb_toggle-id-gsbp-9ce9cfc .gs-tgl-trigger{font-weight:700!important}@media (max-width:991.98px){.gspb_toggle-id-gsbp-9ce9cfc .gs-tgl-trigger{font-weight:700!important}}@media (max-width:767.98px){.gspb_toggle-id-gsbp-9ce9cfc .gs-tgl-trigger{font-weight:700!important}}@media (max-width:575.98px){.gspb_toggle-id-gsbp-9ce9cfc .gs-tgl-trigger{font-weight:700!important}}","inline_featured_image":false,"_import_markdown_pro_load_document_selector":0,"_import_markdown_pro_submit_text_textarea":"","jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-5333","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/iso3200.org\/blog\/wp-json\/wp\/v2\/pages\/5333","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iso3200.org\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/iso3200.org\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/iso3200.org\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/iso3200.org\/blog\/wp-json\/wp\/v2\/comments?post=5333"}],"version-history":[{"count":19,"href":"https:\/\/iso3200.org\/blog\/wp-json\/wp\/v2\/pages\/5333\/revisions"}],"predecessor-version":[{"id":5562,"href":"https:\/\/iso3200.org\/blog\/wp-json\/wp\/v2\/pages\/5333\/revisions\/5562"}],"up":[{"embeddable":true,"href":"https:\/\/iso3200.org\/blog\/wp-json\/wp\/v2\/pages\/82"}],"wp:attachment":[{"href":"https:\/\/iso3200.org\/blog\/wp-json\/wp\/v2\/media?parent=5333"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}